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       <title>Gravier House</title>
       <link>http://www.gravierhouse.com/</link>
       <description>Gravier House</description>
       <language>en-us</language><item>
          <title> Winter's Tale</title>
          <link>http://www.gravierhouse.com//engine/blog/viewpost.aspx?id=113</link>
          <guid>http://www.gravierhouse.com//engine/blog/viewpost.aspx?id=113</guid>
          <pubDate>Fri, 23 Nov 2007 18:03:33 PST
          </pubDate><description>
           <![CDATA[If someone had told me what Mark Helprin’s 
<EM>
Winter’s Tale
</EM>
 was about, I don’t think I would have read it.
<BR>

<BR>
Written in 1983, the plot is three parts 
<EM>
Gangs of New York,
</EM>
 two parts 
<EM>
Age of Innocence
</EM>
, with a dash of Dickens and a pinch of 
<EM>
Lord of the Rings.
</EM>

<BR>

<BR>
A turn-of-century “period piece” set in and around the city of New York, with swash-buckling swamp dwellers and flying horses.
<BR>

<BR>
Two strikes.
<BR>

<BR>
But Peter Lake is such a compelling character, who finds himself in such classical literary circumstances, that  ...]]>
          </description>
         </item><item>
          <title>The Recognitions</title>
          <link>http://www.gravierhouse.com//engine/blog/viewpost.aspx?id=112</link>
          <guid>http://www.gravierhouse.com//engine/blog/viewpost.aspx?id=112</guid>
          <pubDate>Fri, 23 Nov 2007 17:53:06 PST
          </pubDate><description>
           <![CDATA[I hate William Gaddis.
<BR>

<BR>
As a would-be writer, Gaddis has had no direct influence on me. And yet, pretty much everything I have done, or planned to do, or started to do, as a writer, which I genuinely thought to be fresh or innovative, I have come to discover has pretty much already been done by Gaddis. The invasion or interruption of action or speech with sounds, voices, lyrics, television programs, or signs (
<EM>

<STRONG>
J.R.
</STRONG>

</EM>
), the depiction of dialogue which is more competition than cooperation, (
<EM>

<STRONG>
J.R.
</STRONG>

</EM>
), t ...]]>
          </description>
         </item><item>
          <title>The Unbearable Lightness of Being</title>
          <link>http://www.gravierhouse.com//engine/blog/viewpost.aspx?id=111</link>
          <guid>http://www.gravierhouse.com//engine/blog/viewpost.aspx?id=111</guid>
          <pubDate>Fri, 23 Nov 2007 17:49:08 PST
          </pubDate><description>
           <![CDATA[
<strong>
Milan Kundera
</strong>
 begins with a somewhat abstract and philosophical exposition on the unbearable lightness, or weight, of being.  It is pretty much all tell, and no show.  And yet I loved it.  I thought it was pure genius.
<blockquote>
Putting it negatively, the myth of eternal return states that a life which disappears once and for all, which does not return, is like a shadow, without weight, dead in advance, and whether it was horrible, beautiful, or sublime, its horror, sublimity, and beauty mean nothing. W ...</blockquote>
]]>
          </description>
         </item><item>
          <title>A Frolic of His Own</title>
          <link>http://www.gravierhouse.com//engine/blog/viewpost.aspx?id=110</link>
          <guid>http://www.gravierhouse.com//engine/blog/viewpost.aspx?id=110</guid>
          <pubDate>Fri, 23 Nov 2007 17:41:50 PST
          </pubDate><description>
           <![CDATA[
<em>

<strong>
A Frolic of His Own
</strong>

</em>
 has some of the funniest passages I have ever read.
<br/>

<br/>
I&#8217;m not sure whether, if I were not a practicing attorney, I would have appreciated them less, or even more.
<br/>

<br/>
But the formal pleadings and deposition colloquies, for example, were exaggerated enough to bring out the comedy, yet genuine enough so as not to be absurd.
<br/>

<br/>
As in 
<em>

<strong>
JR
</strong>
,
</em>
 I found the legal aspects of the novel very authentic, both in substance and in form.  It is surprising that 
<strong>
Gaddis
</strong>
 did not go to law school, at t ...]]>
          </description>
         </item><item>
          <title>Greatest Hits</title>
          <link>http://www.gravierhouse.com//engine/blog/viewpost.aspx?id=109</link>
          <guid>http://www.gravierhouse.com//engine/blog/viewpost.aspx?id=109</guid>
          <pubDate>Fri, 23 Nov 2007 17:07:22 PST
          </pubDate><description>
           <![CDATA[
<P>
I was at Starbucks the other day and saw a 
<EM>
Dylan
</EM>
 greatest hits type collection which seemed to be mostly a compilation of eighteen songs from the Greatest Hits and Greatest Hits Vol. 2 records, along with a few more recent tracks like 
<EM>
Hurricane.
</EM>

<BR>

<BR>
For some artists, the Greatest Hits are pretty much the only songs you would ever want to listen to. In fact, for many bands, even the Greatest Hits would only “hit” your turntable, or i-Pod, around 2 or 3 times out of 10.
<BR>

<BR>
But for our favorite artists,  ...</p>
]]>
          </description>
         </item><item>
          <title>The Road</title>
          <link>http://www.gravierhouse.com//engine/blog/viewpost.aspx?id=108</link>
          <guid>http://www.gravierhouse.com//engine/blog/viewpost.aspx?id=108</guid>
          <pubDate>Fri, 23 Nov 2007 17:04:13 PST
          </pubDate><description>
           <![CDATA[There’s really not much to this book. You know exactly where it is going. And yet, when you get there, it’s still moving.
<BR>

<BR>
At the beginning, McCarthy pretty much tells you, flat out, what the dilemma is. (Will the father be strong enough to do what’s necessary, when the time comes?) Which, at the time, I thought was fairly “on the nose” and unnecessary.
<BR>

<BR>
Yet I wonder whether, absent the explicit set-up, the rest of the narrative would have held its dramatic tension. It might have just felt like a ...]]>
          </description>
         </item><item>
          <title>Herzog</title>
          <link>http://www.gravierhouse.com//engine/blog/viewpost.aspx?id=104</link>
          <guid>http://www.gravierhouse.com//engine/blog/viewpost.aspx?id=104</guid>
          <pubDate>Tue, 12 Jun 2007 11:15:02 PST
          </pubDate><description>
           <![CDATA[I think I would have probably liked and appreciated 
<EM>
Herzog
</EM>
 more had I read it a long time ago.
<BR>

<BR>
I read Philip Roth’s introduction, and noted his comment that Herzog was like an American Leopold Bloom, except that “in 
<EM>
Ulysses,
</EM>
 the encyclopedic mind of the author is transmuted into the linguistic flesh of the novel, and Joyce never cedes to Bloom his own great erudition, intellect, and breadth of rhetoric, whereas in 
<EM>
Herzog
</EM>
 Bellow endows his hero with all of that.”
<BR>

<BR>
My “criticism” of the book, I gu ...]]>
          </description>
         </item><item>
          <title>B.S. or BCS?</title>
          <link>http://www.gravierhouse.com//engine/blog/viewpost.aspx?id=102</link>
          <guid>http://www.gravierhouse.com//engine/blog/viewpost.aspx?id=102</guid>
          <pubDate>Sun, 17 Dec 2006 11:09:51 PST
          </pubDate><description>
           <![CDATA[As someone from New Orleans, (host of the Sugar Bowl), I am admittedly biased in favor of the traditional bowl system.
<br/>

<br/>
But there seem to be several reasons, aside from money and tradition, to favor it over a play-off system.
<br/>

<br/>
First of all, it&#8217;s generally pretty clear who the National Champion is.  There is sometimes a lot of debate about who should get to play for the title in the No. 2 spot, but usually, things shake out and you have a clear No. 1 team.
<br/>

<br/>
(Parenthetically, let&#8217;s note t ...]]>
          </description>
         </item><item>
          <title>A Taste of Reality on &quot;Top Chef&quot;</title>
          <link>http://www.gravierhouse.com//engine/blog/viewpost.aspx?id=99</link>
          <guid>http://www.gravierhouse.com//engine/blog/viewpost.aspx?id=99</guid>
          <pubDate>Sun, 17 Dec 2006 10:52:20 PST
          </pubDate><description>
           <![CDATA[Despite taking Latin for five years, I still managed to eke out only a 3 on the AP. Not having placed out of the language requirement at college, Latin was an appealing alternative to the spoken language requirements, which consisted of three quarters instead of only two, as well as a pretty intensive early morning lab. Latin 1 was a breeze. But when Latin 3 came around, I was serving as pledge trainer in my fraternity, and was also taking an extra class at the time. After doing okay on the f ...]]>
          </description>
         </item><item>
          <title>Lawyer Advertising</title>
          <link>http://www.gravierhouse.com//engine/blog/viewpost.aspx?id=93</link>
          <guid>http://www.gravierhouse.com//engine/blog/viewpost.aspx?id=93</guid>
          <pubDate>Mon, 04 Dec 2006 08:54:46 PST
          </pubDate><description>
           <![CDATA[November 21, 2006.
<BR>

<BR>
To the Honorable Members of the Rules of Professional Conduct Committee of the Louisiana State Bar Association:
<BR>

<BR>
I am a partner in the firm of Herman Herman Katz &amp; Cotlar, LLP, located in New Orleans, Louisiana, and in the national firm of Herman Mathis Casey Kitchens &amp; Gerel, LLP, with central offices in Atlanta, Georgia. I handle litigation for both plaintiffs and defendants in commercial, personal injury, complex and other cases. I am the author of 
<EM>
America and the L ...</em>
]]>
          </description>
         </item><item>
          <title>A Thanksgiving Song</title>
          <link>http://www.gravierhouse.com//engine/blog/viewpost.aspx?id=92</link>
          <guid>http://www.gravierhouse.com//engine/blog/viewpost.aspx?id=92</guid>
          <pubDate>Mon, 27 Nov 2006 17:45:14 PST
          </pubDate><description>
           <![CDATA[In the fall of 1989, I was living in Washington D.C. and had purchased a cassette tape of 
<EM>
A Child's Christmas in Whales
</EM>
 from a record store on Wisconsin Ave, which I listened to while falling asleep at night. A paid intern at the DSCC, I had some time on my hands during the day, and started composing some prose/poems in that vein. 
<EM>
Nov. 22, 1989
</EM>
 was done on or around my birthday, shortly followed by 
<EM>
Thursdays in Late November
</EM>
 and a few other "Work Songs". Obviously no comparison to Dylan Thoma ...]]>
          </description>
         </item><item>
          <title>Nov. 22, 1989</title>
          <link>http://www.gravierhouse.com//engine/blog/viewpost.aspx?id=91</link>
          <guid>http://www.gravierhouse.com//engine/blog/viewpost.aspx?id=91</guid>
          <pubDate>Mon, 27 Nov 2006 17:39:00 PST
          </pubDate><description>
           <![CDATA[When I turned 21, I was living in Washington D.C. working at the DSCC.  Inspired, I guess, by 
<em>
A Child's Christmas in Whales,
</em>
 I starting typing this out, followed soonafter by 
<em>
Thursdays in Late November.
</em>
  Obviously no comparison to Dylan Thomas, what I find interesting, as several of these words come up red on the Spell-Check, is the &quot;Impressionistic&quot; meaning they retain, (at least for me), separate and apart from the formal definitions you would -- or, more to the point, would not - ...]]>
          </description>
         </item><item>
          <title>Photography</title>
          <link>http://www.gravierhouse.com//engine/blog/viewpost.aspx?id=90</link>
          <guid>http://www.gravierhouse.com//engine/blog/viewpost.aspx?id=90</guid>
          <pubDate>Thu, 03 Aug 2006 13:11:28 PST
          </pubDate><description>
           <![CDATA[I don't really consider photography &quot;art&quot;, at least in the same way I would view an oil painting. Particularly with the development auto-focus and one-hour processing and now especially with the advent of digital photography, things have become so democritized that it's virtually impossible to set oneself apart as an &quot;artist&quot;.
<br/>

<br/>
Yet I find photographs themselves aesthetically pleasing and, (in an &quot;artistic&quot; sense), have the potential to change the way in which you l ...]]>
          </description>
         </item><item>
          <title>The Long Tail</title>
          <link>http://www.gravierhouse.com//engine/blog/viewpost.aspx?id=89</link>
          <guid>http://www.gravierhouse.com//engine/blog/viewpost.aspx?id=89</guid>
          <pubDate>Tue, 01 Aug 2006 08:14:28 PST
          </pubDate><description>
           <![CDATA[Chris Anderson must have a great press agent. There were reviews of his book, 
<EM>
The Long Tail: Why the Future of Business Is Selling Less of More,
</EM>
 in the Economist, the New Yorker, Newsweek and BusinessWeek, all at the same time.
<BLOCKQUOTE>
From the perspective of a store like Wal-Mart, the music industry stops at less than 60,000 tracks. However, for online retailers like Rhapsody the market is seemingly never-ending. Not only is every one of Rhapsody’s top 60,000 tracks streamed at least once each month, ...</blockquote>
]]>
          </description>
         </item><item>
          <title>American Pastoral</title>
          <link>http://www.gravierhouse.com//engine/blog/viewpost.aspx?id=87</link>
          <guid>http://www.gravierhouse.com//engine/blog/viewpost.aspx?id=87</guid>
          <pubDate>Tue, 01 Aug 2006 07:09:24 PST
          </pubDate><description>
           <![CDATA[I love the last sentence.
<br/>

<br/>
&#8220;What on earth is less reprehensible than the life of the Levovs?&#8221;
<br/>

<br/>
I love the Swede Levov character.
<br/>

<br/>
I don&#8217;t know if I have ever identified with a fictional character (or even another real person) in the same way I identified with Levov.
<br/>

<br/>
(Who, whether coincidentally or by design, is a literary 
<em>
alter ego
</em>
 of sorts to the Rabbit Angstrom character.)
<br/>

<br/>
As a reader, I like this book.
<br/>

<br/>
But the way this book is written makes no sense.
<br/>

<br/>
You start out with I guess what ...]]>
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         </item><lastBuildDate>Tue, 01 Aug 2006 07:09:24 PST</lastBuildDate>
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